They say "everything's bigger in Texas", which is perhaps why the ever-booming music scene in Austin has produced such successful bands.
The Bright Light Social Hour is a prime example of just that. This truly American rock band born out of a university art-rock collective in Austin, is comprised of four dudes trying to stick to their roots: Curtis Roush (guitar and vocals), Jack O'Brien (bass and vocals), A.J. Vincent (keyboards and vocals), and Joseph Mirasole (drums). They have a similar sound to that of The Black Keys, employing a fundamentally rock core and mixing in different elements of blues, funk, and soul.
Having won "Best Indie Band" at the 2010 Austin Music Awards, gained acclaim through the release of several EPs and performances at shows like Austin City Limits Festival in 2009, they've finally released their debut, full-length album: The Bright Light Social Hour. While what they're doing is new to the indie genre of 2011, the sound can't help but seem familiar in a vintage 70s rock kind of way. The 9-track album changes things up stylistically, showing how these guys have range. Tracks like "Shanty", "Back And Forth", and "Bare Hands Bare Feet" are foot-stomping jams with catchy lyrics and rhythm. There is definitely homage to their state as a southern twang and Spanish influence seep into tracks like "La Piedra De La Iguana" against a backdrop of impressive guitar antics and psychedelic-funk. Alternating the highs and lows, "Men Of The Earth", "Men Of The Sea", and "Garden Of The Gods" take a more blues approach with the delicate combination of the keyboard and Roush's vocals providing a nice contrast to the guitar chords.
Initially taken aback by the booming energy of the opening tracks, I needed to listen to the entire album a few times through before I could decide if it was for me. But the fact I am a fan of The Black Keys and that there is a similar style here, coupled with the variation of sound in a 9-track album, helped make it an enjoyable listen. It's almost refreshing to hear the pure essence of instruments and vocals in a state unaltered by technology. By sticking to their roots, this band helps me get back to mine. The Bright Light Social Hour is a great change of pace to all the electro and techno that's flooding the indie scene. As I give this album my attention and am truly listening, I can't help but picture them putting on a killer live performance. And I'm sure they be in a couple weeks come this year's SXSW festival in Austin.
Check out their funny, energetic, clothes-swapping video for "Back And Forth" here:
By: Chelsea Olson
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